CLAIRE's

4/28/2009

4/27/2009

THE DISCONNECTED SHADOW

THIS SILD IS THE MOST RELEVANT TO MY DESIGN. IN THE SILD, THAT "INHABITANT IS VAMPIRE" INTRESTS ME AND THAT SORT OF MYSTERY GIVES ME LOTS OF INSPIRATIONS. IN MY DESIGN, THE LABS FOR TWO CLIENTS ARE NEEDED UNDER A MESTERIOUS SPACE, AND WHAT I DO IS TO USE THE STRUCTURE TO ACHIEVE THIS AIM. THE LARGE SPACES INDICATE THE OPPORTUNITES FOR THINKING AND CREATING OR EXPLORING A NEW THING IN THE UNIVERSE. FOR THE MEETING PLACE, I USE THE TRANSPARENT WALLS TO CREATE A OPEN STYLE SPACE FOR MY CLIENTS TO DISCUSS AND DEBATE THEIR THOUGHS. THERE ARE TWO PARTS IN THE MEETING PLACE, LEFT ONE AND RIGHT ONE. CONSIDERING OF THAT THEY MAYBE HAVE A LUNCH TOGETHER, THE TWO ROOMS ARE NEEDED FOR THEM, ONE FOR LUNCH, ONE FOR WORK. AND THE TWO ROOMS LOOK LIKE THE WINGS OF THE VAMPIRES WHICH I THINK SNAP MY CONCEPT VERY MUCH, AND GOOD TO CONNECT THE LABS.

ELECTROLIQUID AGGREGATION

The truth's nakedness is always being camouflaged in the unreasonable hopes of the fragmented world. Those nature's veils that interweaves the national rivalries and every piece of the lives can't hide an inexorable fact that we become more interdependent every day by the power of the nature.

4/26/2009

36 CUSTOM TEXTURE

18 PARALLEL PROJECTIONS

4/24/2009

ENVIRONMENT 1

18 AXONOMETRICS

4/07/2009

QUOTES OF THREE CLIENTS

ALFRED NOBEL

"Hope is nature's veil for hiding truth's nakedness. "

REFERENCE: http://www.brainyquote.com/quotes/authors/a/alfred_nobel.html

JACQUES-YVES COUSTEAU
"However fragmented the world, however intense the national rivalries, it is an inexorable fact that we become more interdependent every day. "
REFERENCE: http://www.brainyquote.com/quotes/author/j/jacques_yves_cousteau.html

KEITH CAMPBELL
"Most of the retailers in our center are reasonably optimistic. Nobody's seeing the headlines of Armageddon that were appearing several months ago."
REFERENCE: http://www.quotesdaddy.com/quote/974537/keith-campbell/mostof-theretailers-in-our-center-are-reasonably

4/02/2009

3D warehouse model
http://sketchup.google.com/3dwarehouse/details?mid=e7f2701996effe0da2f4b5c534324a4f&result=4&hl=en&ct=lc

3/31/2009

THESE STAIRS CONNECT DIFFERENT THEMES
OF SPACES. I CREATED THOES STAIRS BY AN

ART IMAGINATION WHICH COULD MAKE YOU

FEEL FLYING OR TRAVELLING THROUGH THE

TIME.

A PLAN VIEW OF MY BUILDING

A MIDDLE PART IS BETWEEN GROUND FLOOR

AND FIRST FLOOR. BECAUSE OF THE IDEA FOR

THIS BUILING I PREFER THE MORE COMLICATED

ARCHITECTURE STUCTURE RATHER THAN TYPICAL

FOUL-WALLS HOUSE BUILDING.

OVERVIEWS OF THE WHOLE ARCHITECTUR

TEXTURE

STAIRS

3/24/2009

3/23/2009

THE 120 WORDS

This is a tragic photo which tell a young women dying on the road to Brisbane. The photo is in black and white to express the darkside of the society at that time. The narrative style of the photos is the most feature in the Moffat’s art work. This photo had influenced the entire society for showing the unfair and unpeaceful reality. Along the rugged road towards to Brisbane, a dead woman was lying the middle of the photo with a beat-up luggage. The sign which is Brisbane 300 indicates that how far away the Brisbane city is. I guess that the direction orientating to Brisbane standing for a hope to this desperate woman, and even she was so closed to the target , but the real truth was cold like rock and break this woman’s hope. The photo does not focus on the expressions on the face but project the whole body. The most interesting part of her body must be legs and right hand with five open fingures. The posture showed up how hard and struggling the woman was before dying.

I am not concerned with verisimiltude....I am not concerned with capturing reality, I'm concerned with creating it myself.
- Tracey Moffatt